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This blog is a resource for ad takeover artists and information about contemporary advertising issues in public space. If you have content you would like to share, please send us an email.

Wednesday, May 4, 2016

Stark Underground Space at World Trade Center Will Host a Riot of Ads

Respect for our shared public spaces has never been an attribute of the Out Of Home Advertising business and this is one of the more egregious examples of thier inability to put humanity above opportunity. 
Inch by inch, the new World Trade Center is being stripped of its connection to the World Trade Center that was attacked on Sept. 11, 2001. More [HERE]

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Saturday, April 9, 2016

Inside the anti-advertising movement that's recruiting ad agency workers to destroy billboards and replace them with art

Wonderful article on Brandalism and all it's ambitious work in the anti advertising space. Also, I've never seen this Robert Montgomery billboard but it hit even harder than usual so I had to include it. 
Brandalism: a movement dedicated to reclaiming the outdoor, visual realm from corporate control. But why outdoor advertising in particular? When buying a magazine, or watching a particular TV channel, the consumer is to some extent consenting to being shown ads. By contrast, in the outdoor space, there's often no choice. More [Here]

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Thursday, March 31, 2016

Switch Sides Campaign

Reminiscent of the AAA's industry outreach projects, this Brandalism campaign asks those in the advertising profession to give in to thier conscience and switch sides. Amazing!

VIA: Brandalism
We’re glad to see our posters piqued your interest…. More [HERE]

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Monday, March 28, 2016

New Work from OX in France


PublicAdCampaign readers will know my love of OX. Here is a new one and make sure to check all of his work on his site [HERE]

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Friday, March 25, 2016

NYCLU Demands Tighter Privacy Protections For City's Public Wifi

I have some pretty serious reservations about the LinkNYC system that outpace my love of free WiFi and cell phone charging. They arent new concerns but ones brought into astral focus once you realize what type of data 7500 well placed tracking devices can produce in NYC. As 2d static advertising goes the way of the dinosaur and digital begins to take its place, data protection will become almost as important as trying to remain outside of advertisings influence as it will allow more insidious advertising to worm further inside the brains of even the most adamantly anti advertising of us all. 

VIA: Gothamist
Civil libertarians are pushing the city to make its new public wifi kiosk network less data-mine-y, saying that the way the LinkNYC public wifi system is set up now allows for the creation of a database of all users' web activity that the NYPD could easily tap into if it felt like it. More [HERE]

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Thursday, March 24, 2016

RAP Press Release

Below is a press release I was sent about RAP's recent action at the JCDecaux headquarters. While this all might strike people as borderline insane, it is important to remember that advertising and it the collective influence of commercial media is not a natural state of existence but rather a momentary manifestation of capitalism run amok. Removing its influence would have far reaching positive effects on our society which may help mitigate our effect on the climate, help resolve social issues that surround economic inequality, and generally allow for an atmosphere of collectivity to appear out of a deeply selfish, every man for himself, economic model that dictates large portions of our existence. So maybe this is less crazy than you think and simply beginning of something new.

ENGLISH --------------------------------------------------------------- 
RAP invited itself to JC Decaux's headquarters ahead of the international day against advertising

Ahead of the international day against advertising taking place on the 25th of March, the french association Resistance à l’Agresion Publicitaire (Resistance to Advertising Agresion) invited itself at the headquarters of the paris-based multinational company of billboards JC Decaux.
On the banner : "Let's free the planet of ads"

Khaled Gaiji, President of RAP declares: “ in addition to violate citizens freedom of (no) reception by invading public space with advertising, the world leader of billboards also systematically violate French laws on billboards. We are here today to denounce this situation and ask to JC Decaux Executive office an appointment in order to discuss solutions to this issue that has already lasted too long”. After unpholding a banner “let’s free up the planet of ads” next to JC Decaux‘ headerquarter’s logo, Julien Simon, Human Resources Director, came to meet the President of RAP and committed to organize an appointment as soon as possible. RAP will make sure this commitment does not go unheeded.

More information :
Contact: Renaud Fossard + 33 (0)6 37 52 45 90
Link to picture (high definition):
http://journee.contrelapub.org/wp-content/uploads/2016/03/photo-JJC-DECAUX.Finalhd.jpg
International campaign website: http://dayagainstad.org

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How Corporations Will Use Artificial Empathy to Sell Us More Shit

Empathy is a tricky business. The range and complexity of human emotion makes it difficult, if not impossible, to ever really understand how someone else is feeling. Nevertheless, empathy is considered to be a crucial aspect of what makes us human—indeed, our brains appear to be hardwired for it. So perhaps it won’t come as much of a surprise that as machine learning becomes ever more sophisticated and capable of mimicking some of the most complex functions of the human brain, figuring out a way to teach a computer empathy is quickly becoming a business in itself. More [HERE]

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Monday, March 21, 2016

Is the Poster Dead, or Just Remediated?

I am extremely excited to be a part of the 50th Warsaw International Poster Biennale coming up this June. A huge thanks to Vermibus for introducing me to David Crowley, the curator and mind behind this unique exhibition which looks like as if it will honor the posters role in political activism while investigating the new forms it has taken in an increasingly digital, and mediated environment. 
Professor David Crowley, Head of Critical Writing in Art & Design, has a long-term research interest in the poster as both a design object and a means of communication. RCA Blog talked to David about his curation of the fiftieth Warsaw International Poster Biennale in June 2016, and the changing faces of poster design and dissemination in the digital twenty-first century. More [HERE]

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Thursday, March 17, 2016

International Day Against Advertising March 25, 2016

More on this as it develops but there are clearly a large number of groups around the world who feel very similarly about the issues surrounding commercial media in public space. I think its time we coalesced.

Again this year, let’s free – if only for one day – the planet from advertising! For the second year in a row on March 25, the French association Resistance against Advertising Aggression (RAP) will partner with international allies and activists from around the world to speak out against advertising. This movement was launched from the Tunis call by hundreds of activists from the five continents at the World Social Forum. Read the Call of March 25, 2016. More [HERE]

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Wednesday, March 16, 2016

Florence Tackles Duomo Defacement With a New Tool: Virtual Graffiti

FLORENCE, Italy — “Do not write on the walls,” reads the message on a Renaissance stone wall in the cathedral on this city’s central square. More [HERE]

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Friday, March 11, 2016

Study Shows That Flattering Targeted Ads Would Be a Great Method of Social Control

VIA: Gizmodo
Everyone reading this has stared at a targeted ad wondering why anyone thought it applied to them. A new study shows that making people guess why a targeted ad applies to them, and feel flattered by it, gets them to open their wallets—and just maybe become a better person. More [HERE]

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Thursday, March 10, 2016

Riding the trains with veteran graff writer Nic 707

VIA: Vandalog
Back in 1976, Nic 707 founded the Bronx-based crew OTB, and, along with his crew, regularly hit the trains. These days Nic 707 is back on the trains. But his interventions, this time around, are eliciting mostly curiosity and expressions of gratitude form subway riders. I accompanied him last night on his Instafame Phantom Art Project. Here’s a bit of what I witnessed: More [HERE]

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Tuesday, March 8, 2016

Advertising and the End of The World

Interested in watching the works of Sut Jhally? www.thoughtmaybe.com has put them online along with a bunch of other interesting films that any PublicAdCampaign reader should take the time to watch. A big thanks to Kyle Magee for turning us on to this fantastic resource.

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Monday, March 7, 2016

Contemporary Art Stavanger Interview

Big thanks to Heather Jones for taking the time to listen to me rant on and on about my work. 
The now ubiquitous Stavanger-based street art initiative Nuart, in partnership with Stavanger Aftenbladet, has recently branched out to include yet another platform for public art: a large-scale billboard located in the heart of Stavanger that presents a rotation of short-term installations by commissioned local and international artists. More [HERE]

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Saturday, March 5, 2016

Sounds Like A Manifesto

I think it’s important to question the monopolization of our public visual environment for commercial concerns and what that means for the determination of our collective social agenda. By privileging one type of message over another, we are through repetition, setting the terms of our cultural and political discourse. Considering the great hurdles we face socially and environmentally, the commercial discourse we surround ourselves with not only ignores our current reality but actively works against it by distracting us from each other in favor of ourselves.  This deception, taking place in public space, makes the offense all the more malevolent as our shared environment must function as a place in which collectivity can manifest. Instead the predominant messages and cultural values we enforce in public space actively appeal to our individuality and or commercial segmentation. True holistic visions of society that include the economic and social justice at the heart of real societal reform lie outside of capitalism and thus the corporate media agenda that we allow unfettered access to our shared pubic spaces. By reclaiming our streets and demanding a public visual landscape that reflects the publics concerns over a commercial agenda, we call upon a prized and shared civic resource to host the revolution once again.

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Friday, March 4, 2016

UK minister compares adblocking to piracy, promises action

Seriously? 
UK culture secretary John Whittingdale gave a speech at the Oxford Media Convention where he compared adblocking to piracy and vowed "to set up a round table involving major publishers, social media groups and adblocking companies in the coming weeks to do something about the problem." More [HERE]

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Wednesday, March 2, 2016

See That Billboard? It May See You, Too

Sellers of advertising space love to know who will be looking thier ad spaces so that they can allow companies to target more and more specific audiences. Online, this type of aggregate tracking is easy, but OOH advertisers have been hard pressed to create hyper accurate demographic studies linked to particular public spaces. Until now, anything more than a guess required someone onsite to tally information like gender, age, race, and whatever other important insight can be gleaned from ones appearance. It seems Clear Channel has solved this problem by getting cell phone companies, and nefarious mobile app producers whose apps gather geo location content, to allow them to link thier advertising sites to very specific consumer profiles and patterns of movement around the city. Want to target 20-30 year old males who shop at Abercrombie & Fitch... No problem. They are found concentrated on the 405 between 830am and 10am as evidenced by hard data reported through AT&T. Looking for 35-45 year old single mothers of 2 or more children? They are highly likely to be visiting super markets and shopping centers between 630pm and 8pm Monday through Friday. 
The collusion between advertisers and corporations here is scary in that they are taking one step closer to be being in total and complete synchronicity. Each product, now finding the space in our city where it is most likely to be received by its intended audience and thus purchased. In the process, our conception of our consumer identity will be reinforced making its grip that much harder to resist. 
Pass a billboard while driving in the next few months, and there is a good chance the company that owns it will know you were there and what you did afterward. More [HERE]

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Tuesday, March 1, 2016

g.l.m.p. manifesto comic zine

If you don't know anything about Kyle McGee and his Global Liberal Media Please initiative, take a chance to download a Zine on his project...Or better yet go ahead and order a hard copy below. 
You can get a physical copy from here if you’re in australia: www.silentarmy.org More [HERE]

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Sunday, February 28, 2016

One of the Most Recognized Artists in the World Writes on the Streets

Callie has always been an inspiration for myself and many other artists who watch her continually lead by example. Her work, time and again, finds new and innovative ways to defy categorization as Art, and instead be social, political, and transformational for anyone involved. (sadly words I just dont equate with art) Anyways, she has a short interview with The Nation in which she is qouted with what I believe to be at the heart of my own process, an idealized street and public art, and how we understand properly functioning public spaces. 
I think that when we are creatively able to set our hands on something, and able to be a part of the small and creative decisions of making our place, we feel at home; we care about our home; we are able to feel more invested in it and take care of it. Giving people a creative outlet, to be part of having a say in what their city looks like, is part of a healthy community.
Caledonia Curry, a.k.a. Swoon, is among the most recognized street artists in the world. Her work is now in the permanent collection of the Museum of Modern Art. 
 She has also created projects with communities in New Orleans, Pennsylvania, and Haiti, as well as a floating city on rafts. More [HERE]

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Thursday, February 25, 2016

New Beastmaster work in Madrid.

Barcelona - Title: “You can stretch the truth”.
Beastmaster recently sent in these ad takeovers from Madrid and Barcelon that I really love. The production value is fantastic and his messaging is consistently interesting. I just wish he would ditch the logo. The logo thing is a pet peeve of mine because it warrants the criticism, "isn't this just an ad for yourself? and if so, what gives you the right?" While I do agree that adding a logo does make the work self promotional, I do not believe it invalidates the work. The messaging Beastmaster is putting across is in direct conflict with many of the advertisings core ideals and is a welcome replacement. Either way the work is thought provoking and well worth taking a look at [HERE]
Madrid - Title: “White Limo”.

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Wednesday, February 24, 2016

How Selective Enforcement of Illegal Advertising Laws Punishes Creative Activism

The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent. More [HERE]

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Everyone Hates Public Ads. Meet the Man Who Is Trying to Take Them All Down.

Here is a nice little video about the PublicAccess project produced by Aymann Ismail for slate.com. It's short and succinct, and while there are so many aspects and arguments behind what and why I do what I do, I think it makes a clear statement. 
VIA: Slate
It’s a little past 3 p.m. in Manhattan, and Jordan Seiler is getting ready for his next public-ad intervention. He uses a homemade key he forged earlier from scratch to access an ad display in a bus shelter. After rolling up the ad and tossing it, he installed a simple black-and-white pattern he designed in its place. More [HERE]

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Tuesday, February 23, 2016

Clear Channel’s L.A. Billboards: Ignoring Outdoor Advertising Industry Code of Principles

I am often criticized for addressing my concerns through improper methods and told I should operate within the law if I take such a strong issue with OOH advertising. I understand the concern but the industry I am up against has never played by the rules so why should I? 
Several months ago, we pointed out the fact that a Clear Channel billboard on Lincoln Blvd. in Venice violated an outdoor advertising industry code regarding the proximity of alcohol ads to schools and places of worship. That ad for New Amsterdam vodka was recently removed, but what’s displayed now on that 52 ft. high, 624 sq. ft. sign? An ad for Camarena tequila. More [HERE]

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Monday, February 22, 2016

New PublicAdCampaign Street/Gallery Work - Collisions 2015

In 2015 I installed three simple black and white designs over three consecutive advertising panels in order to create a stark contrast with the environment that would arrest viewers and allow them to see that an intervention had taken place. I have since then continued to make interventions using this same design motif, calling it the Collisions series. Here are a few images from that series thus far. 
I have also been experimenting with Augmented Reality and my gallery work so if you are feeling ambitious, download the PublicAdCampaign app (700mb) for iOS [HERE] and Android [HERE] Once you launch the app, point it at any of the images below and enjoy some extra content buried in the digital world. 
NYC, 2015
Berlin, 2015
Paris, 2015
Paris, 2015
Barcelona, 2015
Brussels, 2015
Brussels, 2015
London, 2015
London, 2015
London, 2015
London, 2015
Paris, 2015

Collaboration with OX, Paris 2015

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Sunday, February 21, 2016

Ad-free art on the underground: Düsseldorf's 'pure' new metro line

These days, our public spaces are thought of as opportunities to tap into the vast wealth of attention that we collectively possess as we move through our shared environments. Typically that attention is directed towards advertising and our thoughts are asked to ruminate on our relationship to the automobile we drive, the type of detergent we wash our clothes in, or the entertainment we will use to pass the hours post dinner and pre sleep. Public space as a vehicle to promote conspicuous consumption, and this demand of our attention for specified motivations can leave us feeling intruded upon, taken advantage of, or manipulated. It makes sense because this is precisely what is happening, although we might not couch it in such terms, having become so comfortable with advertising's ever presence in our lives, and particularly in our public. The truth of the matter is we are being used when we step out of the house and that is no way to be treated in a space which is at least partially your own.

The recent opening of several new train stations in Dusseldorf, Germany seems to deeply understand this idea, as well as the power of art to expand ones attention as opposed to focusing it singularly.
"What is perhaps most inspiring about the project is how the lack of adverts means people can be people, and not consumers. Klussmann says: “Art is often used to attract people to buy things.” But here it is just about the art and the space, and wherever your imagination takes you. "
This notion reminded me of an obvious little piece of advice that in the digital age we fail to recognize and surely follow. Our minds need, in fact thrive on down time, those moments in between when our attention is unfocused and our thoughts drift. It is in these moments of drift that my mind makes new connections and novel thoughts bubble up to the surface without prompting. In the age of smartphones, we are woefully inept at allowing ourselves these moments of drift as we incessantly check Facebook, Instagram, Feedly, or some other constantly updating source of attention fodder attempting to fill those down moments.

Public space treated correctly can allow our minds the space to drift, or it can be used as a vehicle to distract us and keep our minds mulling over the minutia of capitalism. It seems like we should demand the later as it is in our best interest, and yet a newly minted subway system like this one in Dusseldorf is a noteworthy anomaly.

VIA: The Gaurdian
It was an unusual project,” says Berlin-based artist Heike Klussmann, a lead designer of the new U-Bahn line, which opens on Saturday in the German city of Düsseldorf. Fifteen years in the making, the Wehrhahn metro line consists of six new stations running east to west beneath the city centre, collaboratively designed by architects, artists and engineers. “Normally the construction part happens first and then the artists are commissioned. Here the architects, artists and engineers worked together from the beginning,” she says. More [HERE]
Image of the Stockholm subway as another example of Germany's progressive use of thier public spaces.

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Saturday, February 20, 2016

LinkNYC's free gigabit WiFi officially launches, we go hands-on

This isn't directly outdoor advertising related but I think its worth knowing about regardless. LinkNYC is in the process of rapidly replacing NYC's phonebooths with thier own street furniture that will bring incredibly fast free wifi, amongst other things. Having spoken to the CTO, I know the motivation behind this infrastructure initiative is being done with NYC's best interest in mind and the benefits to the average citizen will be widespread. Thought like all public infrastructure these days, the funding to make this initiative viable will come from advertising. One can only hope that because the advertising will be piped in via a digital screen, some of that real estate will make it back into the hands of the public whose ever present gaze is what makes this revenue stream viable in the first place. 
VIA: Engadget
A month ago, we were hot on LinkNYC's free gigabit WiFi hotspots when they kicked off beta testing. Today, the organization is officially launching its payphone replacement hotspots (or Links, for short) --- and with that, it's turning on their integrated tablets for the first time. That means you'll be able to do a lot more than just tap into blazing fast WiFi from the Links. You can also browse the web, get directions with Google Maps, and make free VoIP calls to anywhere in America. After testing out one of the tablets briefly, I can say one thing for sure: New Yorkers won't miss their dirty old payphones at all. More [HERE]

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Friday, February 19, 2016

OX IN SAINT ÉTIENNE

It looks like the amazing Marc Schiller over at Wooster Collective has begun posting again. Marc is a colleague whom I have admired for a long time and who recently suffered from some serious medical issues that I was made aware of through social media. While I didn't feel it was my place to reach out directly...Marc if you are reading this "I wish you the speediest full recovery and I am so happy to see your energy going back into the Wooster Collective. You and Sara's creation of that online venue so many years ago changed the course of public art and renewed the publics interest in our city streets. Thank you and I hope I get to see you around sooner than later." 
French street artist OX creates posters and billboards that impact public spaces in surprising ways. Since 2000, OX has placed about 300 works on billboards across the globe. He covers them with geometric or abstract compositions and mixes the styles of avant-garde movements with the world of commercial images. More [HERE]

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Thursday, February 18, 2016

Barcelona Is Targeting Billboards It Sees as 'Pollution'

While some might think I am crazy, or just a little to "passionate", about how our public spaces are used by the OOH industry, I give you the below article. I feel like the recent rise in legitimate questioning of advertisings assumed right to our public environment by local governments and individuals, is giving credence to my craziness. Beyond being harmful to our collective psyche, are we simply giving it all away too cheaply? Why subject ourselves to the whims of an industry hellbent on using our attention to create vast wealth that they then extract away from our cities, leaving them crowded with imagery that no one wants to see, and devoid of the individual character that makes each beautiful concrete jungle its own. Barcelona mayor Colau doesn't see the problem in black and white but he sure does understand that Barcelona is getting the short end of the stick.
"Across the board, Barcelona Mayor Ada Colau’s administration has been fighting to cut back on what it sees as commercial exploitation of the city."
Public advertising is pollution and it needs to be curbed. So insists a new policy from Barcelona, which will substantially cut back on how much advertising City Hall permits in public places. In a bid to make Barcelona a more attractive, less aesthetically cluttered place, street advertising in the city will be reduced by 20 percent in July 2016. More [HERE] El Pais Article [HERE]

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Wednesday, February 3, 2016

Spectre in Dayton Ohio

Spectre sent us this fantastic billboard hit he did on his way to Dayton Ohio. Can't beat a little road tripping.

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Friday, January 29, 2016

ICY & SOT In Los Angeles

Icy and Sot were just out in LA and had a chance to put thier PublicAccess keys to good use. I love the fact that these two make it a point to do a few ad takeovers in whatever city they end up in, regardless of why they are in town. This is the kind of autonomous action I was hoping to make possible with the PublicAccess project and I hope to see more activity like it in the future. 



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Wednesday, January 6, 2016

New Yorkers to soon get ‘super-fast,’ free public Wi-Fi throughout the city

Link NYC is rolling out as we speak and bringing super fast WiFi, plus free calls and phone charging, along with other bells and whistles to NYC in 2016. The new units will replace the old phone booth infrastructure that has become so outdated over the past 5-10 years, bringing a refreshed look to the streets along with all of that high tech. I must say I am quite excited to see these units up and running in the same way people must have been excited to see phones being placed on the street, whenever that was. Unlike the phone booths in NYC, running these digital kiosks will not be free and to offset the cost of installation and upkeep, LinkNYC will be running digital video and still ads. There is talk of renewed OOH business models which will make the advertising more local, allow smaller businesses to participate and generally make these kiosks less obtrusive than thier older counterparts, but I remain skeptical. Only time will tell. 
VIA: Metro NYC
One New York company is hoping to link the city that never sleeps to a level of connectivity never done before — and all for free. More [HERE]

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Tuesday, December 1, 2015

Brandalism 2015 and the COP21

Last Friday November 27th, the Brandalism project pulled off the largest single Ad Takeover action ever. Some 80 artists were asked to submit works which were then printed and installed by a team of activists, resulting in over 600 individual ad takeovers. This unprecedented event took place on Black Friday, and directly ahead of the COP21 Climate negotiations taking place in Paris. Artists were asked to make works which spoke about climate change as the action was not only about advertisings role in our public spaces, but also about using the private advertising infrastructure to speak truth to the powers gathering in Paris to decide the fate of our planet.

The recent Brandalism action works in two ways that I think are worth taking a second to discuss. First, while advertising remains an integral part of our social fabric, creating and reiterating our culture back at us in an endless loop of dissemination and reception, the role it plays in fueling the issues which underly our climate crisis have not been widely discussed. Conspicuous consumption and the relentless renewal of products and services offered by, and needed in order to sustain capitalisms endless growth models, is in no small way responsible for the current crises our planet faces as we inch closer and closer to overshooting the carbon budget which would keep our planet under the 2degree estimates climate scientist believe will avert catastrophic planetary warming. This means that we must address our insatiable need for more and more stuff if we are going to create a collective society whose demands for goods will align with how much we can actually produce. This doesn't mean that you can't have new things, the benefits of modern technology and manufacturing, or must live a stoic life of abstinence from the goods and services that our society produces. But it does mean that we must address how much we choose to consume individually and weigh heavily our needs for what capitalism has to offer. Advertising as a medium, aims to disrupt a nuanced and practical analysis of your individual needs. Its objective is to create desire regardless of the implications of that desire on our society at large and this is in fundamental conflict with the interest of our planet. By illegally removing advertising on the street and replacing it with messages that address our climate issues, the Brandalism project is fundamentally rejecting the role advertising plays in our society and re-imaginging a world in which its influence is kept in line with our collective needs. If we are going to tackle the major issues of our day, advertisings influence on our collective psyche must be mitigated so that we can more appropriately discuss what, and how much we will consume individually. A good start to this mitigation would be admitting that advertising plays a negative role in our society by fueling over consumption and reducing its impact is of the utmost importance.

The second aspect of the Brandalism project that I think is worth noting is that beyond questioning advertisings role in our society, the Brandalism project has re-imagined how our public infrastructure should be used and what types of conversations are appropriate for our public spaces. Most, if not all of the artworks/critical messages created by the participating artists, are social statements which do not have an institutionalized venue for communication in public space. Protests against how our society is moving forward are often relegated to marches, or individual commentary that take place outside of normal public behavior. Public space, by definition is the arena in which our collective goals and interests can be expressed to one another in a democratic and meaningful way. It is in this venue that our individual opinions, put together, create public opinion and we must foster this type of democratic discussion at every turn if we are to have our collective voices create a singular voice of our collective interests. To use our public spaces for advertising, and the interests of commerce is to deny public spaces role as our collective soap box and to privilege commercial speech over our individual interests. The Brandalism project, by using the public infrastructure that typically holds commercial media, for critical dialogue, re-purposes public space for its intended purpose. This is no small feat and by setting an example of a more properly function public space and civic infrastructure, the Brandalism project imagines a world in which we use our public spaces to address the most pressing issues of our time. While I don't believe that our public spaces must always be used to discuss such lofty goals, it surely doesn't hurt and a public space in which we can openly discuss larger societal issues is one in which we may also discuss some of the smaller issues which we deem to be important.

To say that the Brandalism project was a success would be an understatement, but like all critical dialogues created by civil disobedience projects, its call to arms must be met with continued support. Fundamentally changing advertisings role in our public spaces should be one of the priorities that social activists have on thier agenda. Not only does advertising negatively contribute to our consumption behavior but it actively creates commercial conversations in venues which should be used for public discussions of the problems of our current days. Our public spaces should provide us with vigorous opportunities for debate and public discussions, not opportunities for commercial hypnosis that prevents even the most critical thinkers from seeing the world as it is and taking action to change it for the better. 

Huffington Post - World Leaders Bombarded By Art Protest At Paris Climate Talks
The Independent - COP21: ‘Brandalism’ activists post satirical adverts around Paris to protest climate change advertising 
BBC - COP21: Eco activists Brandalism launch Paris ad takeover

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Monday, November 23, 2015

Open Letter To Our Readers

I sent this email out to Public Access key holders yesterday as NOAD Day is shortly upon us. Not all PublicAdCampaign readers have Public Access keys but its worth a mention on this site in case those same readers have resources of thier own and want to contribute to this global initiative.
_____________________________________________

Friends and Public Access Key Holders,

It's that time of year again when we collectively take to the streets and remove advertising across the globe to express our collective discontent with the use of our public spaces for commercial messaging. Last year 62 participants took to the streets and more than 300 advertisements were removed, and we want to keep that momentum goring. We hope that you will join us in this second year, or join us again, if you participated in 2014.

The task is easy, go out on November 27th and remove at least one advertisement. Don't forget to take a photograph of the empty bus shelter, phone booth, billboard, or whatever type of advertisement you have chosen to liberate. Share this image with the rest of us by posting it to the Tumblr or Facebook, sending it directly to the NOAD Gmail, or sharing it on social media with the hashtag #NOADday. Feel free to share your experience, write about why you participated, or anything else you find relevant to the project.

**For those of you in the United States, NOAD Day is the day after Thanksgiving. Shake off that sense of gluttony with some good old fashioned civil disobedience, have fun with your relatives by engaging the city you love, or just take a damn shot of whatever is still lying around and get out there and join the fight. You can spend the rest of your lazy friday basking in the knowledge that you participated in a growing community of people who demand better cities for a better citizen.

WHAT IS NOAD Day? 
NOAD Day is an ongoing civil disobedience project begun in 2014 as an expression of global resistance to the use of our shared public spaces for advertising and commercial media. The goal of the project is to create a global voice of dissatisfaction against the use of our public spaces for a commercial media that is a detriment to our collective psyche. The more participation we have, the greater our voice, so take a minute this November 27th to join the party.

WHEN: NOVEMBER 27th (anytime)

IMPORTANT LINKS:

TUMBLR: http://no-adday.tumblr.com

FACEBOOK:​ https://www.facebook.com/noad.day/

EMAIL: noaddayproject@gmail.com

HASHTAG: #NOADday​

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Thursday, November 12, 2015

Hackpacks and the right to the city: some thoughts

Some really interesting thoughts coming out of the UK on ad takeover work and its role in imagining new social realities not just on the street but in the larger cultural context. 
It costs an advertiser a few £10k’s to access bus shelter advertising spaces, it costs you £6. After their involvement with Banksy’s Dismaland exhibition, Strike Magazine! have been working to ensure public access to a third of the global outdoor media landscape; offering inhabitants the tools to claim their right to at least a part of the city. Their hack pack comes with a handy how-to guide. More [HERE]

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      Sharon Zukin
      The Cultures of Cities


      Miriam Greenberg
      Branding New York

      Naomi Klein
      No Logo


      Kalle Lasn
      Culture Jam


      Stuart Ewen
      Captains of Consciousness


      Stuart Ewen
      All Consuming Images


      Stuart & Elizabeth Ewen
      Channels of Desire


      Jeff Ferrell
      Crimes of Style


      Jeff Ferrell
      Tearing Down the Streets


      John Berger
      Ways of Seeing


      Joe Austin
      Taking the Train


      Rosalyn Deutsche
      Evictions art + spatial politics


      Jane Jacobs
      Death+Life of American Cities