DETROIT — One of the authenticating moves that anchored the 2005 movie Brick in the neo-noir genre was the omnipresence of payphones as the means of telephonic communication. Even as cell phones have outdated the maintenance of landlines in the home, we still pantomime the technology of archaic dialing patterns and receivers, indicating that in our mobile-technology era, there is something fundamental about payphones. The Portland, Oregon-based artist Karl Anderson would tend to agree. More [
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