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New work from Mobstr uses the lingo of ad takeover artists to jab the industry. Love it.

Upper Space Artists Hijack Bus Shelters to Address UK Homelessness

"In 2011 the British government brought in devastating cuts to public spending in response to the financial deficit caused by a deeply flawed and unsustainable financial system. As is always the case, the marginalised and poorest citizens of the nation now feel the full force of these changes. Upper Space worked alongside young homeless people in the city of Manchester – the UK’s fourth most deprived city, in the creation of street art interventions that critically engaged with the governments changes to the housing benefit system and Localism Bill whilst creatively giving the finger to those responsible.

The project saw Upper Space artists working alongside young homeless people in the city on a series of urban interventions and installations across the city. The bus shelter interventions turned ordinary public spaces into temporary homes as Upper Space highlights the effects of the financial crisis on citizens with particular focus on the banks that have caused the crisis. These same banks are now repossessing up to 900 family homes each week as people struggle to repay mortgages that were irresponsibly sold."

More at www.upperspace.org

Learning From Our Mistakes-Apologies to UK Street Art

UK street art masthead

This may seem a little absurd, but I have been reading a lot about the gift economy and am becoming hyper aware of the social benefits of "sharing" or creating community through exchange without expectation of return.

As this site is a continual learning process, sometimes we make mistakes and they need correction. A while back we "stole" the entirety of UK street art's recent interview with PosterBoy. In the comments on that post they said, "You could have just linked to our post rather than just rip it directly!" My obnoxious response read "sorry. I just want content to be readily available. I think most people know about how awesome UK street art is. If you would rather we not post your stuff I will make sure we don't in the future. If this is about hits, let me tell you we are an anti advertising site and don't give a hoot about those." I was clearly equating "hits" to economic capital for potential advertising revenue, and was not respecting the nature of the UK street art site as a creative entity to be respected.

Tonight I was having a conversation about the creative commons concept with another media awareness advocate from LAMP (Learning About Media Program) when realized I had made a mistake that needed correction. There are guidelines to abide by when sharing creative content which can allow the free flow of information and creativity without the need for monetary compensation. A few simple rules surround the concepts of attribution, commercial use, distribution, etc. I had taken the license to attribution, which in this case I'm sure they were fine with, but I had also taken a license to distribution. Not only do I think this was unfair, but obviously they did also.

If UK street art was a commercial institution profiting directly from their interview with PosterBoy I don't think I would be making this apology outright, I'd probably be hearing from their lawyers. (He also probably would never have given the interview) Given UK street art is not intent on controlling the spread of this wonderful information they created, I should have respected the rules of the creative commons and posted only the first paragraph, then linking to their site. (As we often do) They had gone through the trouble of creating this thing that they were willing to share, and I had taken the gift without returning the favor.

I was not intent on stealing so much as I did not think hard enough on the concept of the creative commons and how that idea, through continued respect, creates a community that goes beyond even the information and creativity. This community is an important part of being a cultural producer, and the development of mutual relationships within that community, an important part of being a cultural producer. For this I would like to openly apologize to those at UK street art and promise from now on be to more aware.