Public Space in the Trump Era
Not exactly about advertising but to the larger point of our shared environments no longer be shared.
VIA: Architect Magazine
On the last Saturday in January, news began to spread of President Donald Trump’s executive order (issued the day before) that temporarily suspended entry into the United States by passport holders from seven countries—Syria, Sudan, Iran, Somalia, Libya, Iraq, and Yemen— and permanently shut down admission of Syrian refugees. By late morning, a plethora of non-travelers were racing to the nation’s airports: elected officials bent on rescuing some of those trapped in immigration limbo by the order, lawyers who’d volunteered to help detainees and their families, hordes of protesters, and, inevitably, reporters. Among the first journalists to arrive at John F. Kennedy’s Terminal 4, the airport’s main international hub and a prime entry point into this country, was Charlotte Alter from Time. More [HERE]
VIA: Architect Magazine
On the last Saturday in January, news began to spread of President Donald Trump’s executive order (issued the day before) that temporarily suspended entry into the United States by passport holders from seven countries—Syria, Sudan, Iran, Somalia, Libya, Iraq, and Yemen— and permanently shut down admission of Syrian refugees. By late morning, a plethora of non-travelers were racing to the nation’s airports: elected officials bent on rescuing some of those trapped in immigration limbo by the order, lawyers who’d volunteered to help detainees and their families, hordes of protesters, and, inevitably, reporters. Among the first journalists to arrive at John F. Kennedy’s Terminal 4, the airport’s main international hub and a prime entry point into this country, was Charlotte Alter from Time. More [HERE]
Labels: police, public/private
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