<body> Public Ad Campaign
This blog is a resource for ad takeover artists and information about contemporary advertising issues in public space. If you have content you would like to share, please send us an email.

Monday, January 19, 2015

WIthout Advertising, the Walls Are Ours Again.

I have always thought that advertising, with its interest in monopolizing public dialogue, and thus its tendency to monopolize public spaces, prevented our city from a proliferation of locally derived artworks. After Contest Promotions' (formerly NPA Outdoor) license to operate was revoked in NYC, hundreds of street level advertising signs were removed. The photo above is just one example of artwork filling the hole left after advertising disappears, and proof of what I think is advertisings role in the degradation of the shared common experience of our public spaces.

This is just one of many examples and I will try to remember to snap more photos on my travels about the city.

Labels: , , , , , , , , , ,

Tuesday, January 13, 2015

NO AD app Continues to Bring New Content to the NYC Subways in 2015

With the new year comes new content for the NO AD app. This month, we have an exhibition curated by Jowy Romano called Unlimited Ride, which focuses on artists who use the subway as muse. Following Unlimited Ride, NO AD will present a Gif exhibition and look forward to more exciting content in the months to come. With new projects gearing up, we hope you will download the NO AD app and continue to follow this project in 2015. 
UNLIMITED RIDE Curated by Jowy Romano

The New York City Subway is a source of much frustration for its riders, but it also acts as a source of inspiration for many artists. From its oddly beautiful, dilapidated stations; to its iconic train cars; to its riders from all walks of life—the Subway has unlimited potential as a catalyst for art.

Unlimited Ride, a completely digital art show appearing on the NO AD platform, explores the Subway with a diverse group of artists working in several different mediums. The project includes cartoon portraits by Ami Plasse, sculpture by Brina Thurston, sketches by Elbow Toe, watercolor paintings by Joan Iaconetti, MetroCard mosaics by Nina Boesch, black and white photography by Ramin Talaie, oil paintings by Seth Tane and color photography by Stephen Mallon.

More information about NO AD is available in its initial media release and on its website. The app is available for Apple and Android devices. Download at the links below.
 Joan Iaconetti
 App screenshot. Left: Ramin Talaie, Right Ami Plasse
Demo image NO AD x Subway Art Blog - January 2015 www.noad-app.com www.subwayartblog.com

Labels: , , , , ,

Wednesday, December 31, 2014

Happy New Year and a Reminder to Keep Up the Fight

As we prepare to ring in 2015, PublicAdCampaign would like to wish everyone an exciting New Year to come. From personal street projects, to Augmented Reality mobile apps, to participation in global anti-advertising campaigns, we continue to fight for a more open and publicly oriented shared public space. 
With that in mind, its important to remember that the fight never ends. Deehubs, a Dubai based startup brings the issue into stark focus with its newest venture into drone based billboard projection and other insidious, manipulative ways to interject commercial content into our public lives. 
Paula Rees, of Keep Washington Beautiful made me aware that this Deehubs will be heading to New York after having run a test program in Seattle. Just wanted to say, we are ready to fight in 2015!
New social platform could revolutionize outdoor digital billboard advertising space
VIA: Advertising Age

A Dubai-based startup, Deehubs, has developed a social media platform that connects outdoor digital billboards with audiences in a power play that could deliver the advertising Holy Grail of engagement, interaction and highly targeted commercials. More [HERE]

Labels: , , ,

Monday, December 29, 2014

New Work by Three Other Artists

I absolutely love this clever collaboration between BR1 and Elfo in Istanbul. 
 Elfo and BR1
Elfo and BR1
Mobstr continues to make fantastic use of billboards by giving the a "voice" which often reinforces advertisings underlying nature to be loud, obnoxious, petty. and self involved. See more [HERE]

Labels: , , , , , ,

Thursday, December 25, 2014

Merry X-Mas from Are You Dead

This holiday greeting brought to you by Are You Dead.

Labels: , , ,

Tuesday, December 23, 2014

Iselin for Public Access Project - San Diego

I've been working on an augmented reality project out in San Diego over the past few months. While traveling I always like to make sure I figure out how to break into bus shelters for the Public Access Project (sorry this link will remain broken for a few more weeks). This post is another installation of the Iselin image, proving access was established in SD, and that keys will be made available shortly through a dedicated website that I am looking forward to finally launching in the New Year.

Labels: , , , ,

Wednesday, December 17, 2014

Interview For Tracks - Arte

Here is a little interview/video about the NO AD project and PublicAdCampaign in general. While I don't understand a good portion of this video, I am told it gets to the point quickly and explains the projects well. A big thanks to Tracks for including me in their programming. Oh and that billboard piece in the first frame below is OX, one of my favorite artists.

Jordan Seiler, zizanie dans le métro - Tracks ARTE by Tracks_ARTE

Labels: , , , , , , ,

Tuesday, December 2, 2014

Zaha Hadid attempts to rethink roadside advertising with billboard design

Designs have been revealed for one of Zaha Hadid's smallest new structures – an advertising billboard for a stretch of road in west London that the architect says will "create a new genre in the roadside advertising canon".

Zaha Hadid was commissioned by outdoor advertising company JCDecaux to design a "curved and flowing" billboard for a narrow plot of land on the south side of West Cromwell Road – one of the main routes into central London from Heathrow airport. More [HERE]

Labels: , , ,

Saturday, November 29, 2014

Grenoble, première grande ville européenne à bannir la publicité de ses rues


Looks like the city of Grenoble has made the decision to remove all outdoor advertising from it's streets. While it seems like there is a healthy debate happening online about the benefits behind such a move, "the city’s deputy mayor Lucile Lheureux explained: “The business model of street advertising is down. Advertisers want to upgrade to digital screens. We don’t want to make that move. We don’t want our city’s children bombarded with animated advertising on TV screens in the street.” 
Although there will only be 326 ads removed in total, (not including the bus shelters which will stay until at least 2019 when the contract is up for renewal) for a city of this size making the bold move to improve the health of its citizens and streets, is a welcome reminder that all is not lost in the fight to improve out shared public spaces. In fact it's got more than a few industry insiders talking seriously about the backlash against brand intrusion. 
Saisissant l’opportunité de la fin de son contrat avec la société JC Decaux, la commune de Grenoble a décidé bannir la publicité de ses rues. La capitale des Alpes va donc devenir la première grande ville européenne à faire démonter ses panneaux, ses colonnes et ses "sucettes". Le but : libérer de l’espace public, développer parallèlement des lieux d’expression citoyenne, et en finir aussi avec un modèle que la municipalité EELV/PG juge « obsolète» et « trop agressif ». En tout, ce sont 326 panneaux publicitaires qui vont ainsi disparaître de l’espace public grenoblois, soit au total plus de 2 000 m² de publicité en moins dans la ville. More [HERE]

Labels: , , , ,

Thursday, November 20, 2014

The Good Cities Project, Sponsored by Ford

The GOOD cities project is a exploration of our relationship to cities through the eyes of artists, designers, and writers over the course of 5 months. One aspect of the project is a collaboration the Street Museum of Art and three street artists to produce the billboard pictured below.
Artist: Skewville
 Artist: Elle
Artist: Rubin

The GOOD Cities Project — led by Bristol Baughan, Oscar-nominated and Emmy-winning filmmaker — is diving into a five-month multi-media exploration with Ford Motor Company and inviting their favorite thought leaders to create visual love letters to cities across the country. This fall, The Street Museum of Art was asked to share our unique and personal perspective of the city we live in and love through billboard takeovers in and around New York during the month of November. Focusing on found works of street art that have taken on lives of their own throughout this city, SMoA’s behind-the-scenes video and billboard designs call for the public to take an active role in the GOOD Cities Project and ‘Rediscover Our City’ through the lens of a street artist. More [HERE]

Labels: , , ,

Tuesday, November 18, 2014

GLMP Video Explanation

I have posted about Kyle Magee in the past so some readers may be familiar with the activist's work in Australia. This new video, along with the post the accompanies it, explains why Kyle does what he does. Kyle is an interesting character in the anti advertising in public space debate. I know from speaking with him that he regards a lot of what myself and other artist call "ad takeover" work as superficial play time activities. And honestly, in light of his approach, it's hard not to agree with him. Kyle has served plenty of jail time and continues to attack the issue from a purely protest standpoint, no obscuring the issue with pretty pictures, Kyle is about results. While I am still unsure of what the right tactics are to raise public awareness about the role for profit advertising plays in our public space, and media at large, I do look to Kyle for inspiration. He is dedicated to changing things in any way he can, and I respect that. 
"i focus my discontent with the mass injustice and ecological destruction of our global systems on for-profit advertising because i believe for-profit advertising to be the most vulnerable component of the for-profit/capitalist/corporate domination of our global politics and economics — i believe it is this for-profit dominance that creates and maintains the core of our global problems, restricting our politics to the point that the power of for-profits and the huge problems that creates cannot be addressed — our fragmented and constricted ‘democracies’ are reduced to pandering to the interests of a global ‘business’ ideology that is the true winner of last centuries proceedings (contrary to the myth that democracy was the big winner)". More [HERE]

Labels: , , , ,

Friday, November 14, 2014

New Work by Mobstr

Monday, November 10, 2014

New Work By Spectre in NYC

 Spectre continues to use NYC public advertising to frame his current works.


Labels: , , ,

Monday, November 3, 2014

WATCH GRAFFITI ARTISTS TAKE BACK ENTIRE SUBWAY CAR FROM ADVERTISERS

VIA: Animal NY
“Advertisers have been stealing graffiti tactics for years,” says long-time graffiti writer 2ESAE. SKI adds, “We’re not allowed to paint trains anymore. Who knew that years later… fucking Target could have a full car?” More [HERE]

Tuesday, October 28, 2014

Véronique Vienne Unidentified Floating Objects

There is no name, no credit line, no logo, no message, no words of any sort on the ubiquitous blue and green posters. Yet they are everywhere in France: in and around the 900 SNCF train stations, along the passages that connect the Paris’ 303 Metro stops, and inside the 700 subway trains that crisscross the French capital on 125 miles of track. Introduced in 2009, the posters have been proliferating ever since. Recently, the RATP, the public-transport operator, plastered even more of them in the subway trains, “floating” them inside display cases ordinarily occupied by advertisements. More [HERE]

Labels: , , , ,

Monday, October 27, 2014

New Klone Bus Shelters in Tel Aviv

I sent Klone a key a while back and it looks like it worked. That means there is access in Tel Aviv so check it off the list. See more of Klone's work [HERE]

Labels: , , , ,

Thursday, October 23, 2014

More Billboards Coming To Los Angeles? Judge Rules City’s Off-Site Sign Ban Unconstitutional

Just when I was beginning to like Los Angeles.....Ugh
Los Angeles has been trying to shed its label as the country’s billboard capital, but Clear Channel and other companies pushing to put up new digital billboards got a major boost this week when a Superior Court judge ruled that the city’s ban on new off-site signs violates the free speech guarantee of the California state constitution. More [HERE]

Labels: , , ,

Thursday, October 16, 2014

NO AD Launches With ICP Content

Summary: NO AD is proud to announce our first collaboration with the International Center of Photography (ICP). Taking advantage of NO AD’s unique digital platform, ICP will showcase works from its current exhibition, Sebastião Salgado: Genesis. 

VIDEO LINK: https://vimeo.com/105301636 
WEBSITE: noad-app.com

 
Sebastião Salgado, A San hunter holds a korhaan (Eupodotis melanogaster). This bird is captured using its eggs as bait and a snare made of twigs. When the korhaan tries to retrieve the egg, its neck becomes trapped in the noose. Botswana. 2008. © Sebastião Salgado/Amazonas images—Contact Press Images.
 
NO AD is a free mobile device application that uses Augmented Reality technology to resurface NYC subway advertisements with art, creating a new exhibition space on top of old advertising infrastructure. For more information about NO AD, download our initial press release [HERE]. Like any new exhibition space, we want to bring arresting content to our users on an ongoing basis. We will do this by working with institutions and curators to provide unique content from all disciplines.

From mid-October through the end of November, NO AD will display photographic works in conjunction with the renowned International Center of Photography. The first part of the ICP’s participation will be dedicated to Sebastião Salgado: Genesis, an exhibition on view through January 11, 2015, at the International Center of Photography, 1133 Avenue of the Americas, New York, NY. NO AD will include 54 arresting images of fleeting cultures and environment, presented alongside a video of the artist’s thoughts on climate change.

As the first of many collaborations ahead, we want to thank ICP for its vision and support. We hope that NO AD will become an alternative exhibition space for New Yorkers, bringing them closer to the rich cultural content this city has to offer. We could not be happier that ICP has chosen to use this new format to reach out to new audiences in progressive ways. For more information visit the web links below, or download the app and test it using the advertising image provided.

NO AD x ICP (Oct. 15 – Nov. 31)
www.noad-app.com
www.icp.org

After you download NO AD you can use the image below to test it right on your computer.

Labels: , , , ,

Tuesday, October 14, 2014

New Work by OX in Paris

I am not shy about my love for OX's work, but these two pieces stand out as exceptional even for his standards. Site specificity is often a part of street work, as is temporality. Here we have both.

Labels: , , ,

Friday, October 10, 2014

NYC now has hundreds of ad beacons in phone booths (update: mayor orders them removed)

I've been seeing strange things happening to NY phonebooths over the past year or so. Suddenly a booth would appear, wrapped in a piece of sheet metal with a large sticker ad adhered to the entire three sided surface. It was strange because the installation covered what were three regular and working advertising boxes, for seemingly no reason. Well that reason has been revealed to be the installation of a Gimbal beacon capable of communicating with your smart phone and collecting passive data used to build a user profile. I'm glad to finally know why these strange phonebooths have started appearing and sad to know its part of a larger push to make advertising more effective, and invasive. 

VIA: Engadget
Buzzfeed has learned that New York City allowed hundreds of bluetooth beacons to be installed without public consultation, a decision that has roused the ire of privacy groups. Outdoor ad outfit Titan installed around 500 Gimbal beacons in phone booths around Manhattan, skirting normal red tape by saying they were deployed for maintenance purposes only. However, it admitted it's also using them to decide when to rotate ad panels and recently pushed smartphone ads to Tribeca Film Festival participants. The devices can also pick up location and time data, though Titan told the NY Daily News that it is "absolutely, categorically not" doing so unless users opt in and install a third-party app. More [HERE]

Labels: , , , , ,

Thursday, October 9, 2014

Daredevils climb a skyscraper in Hong Kong to hijack a billboard

Well if you thought it couldn't be done, here is proof it can. The bar has officially been raised for ad takeover work. 

VIA: Sploid
Hong Kong is one of those crazy future cities in the world where buildings kiss the sky and people are stacked on top of people and streets hide alleys which hide labyrinths which hide awesome. It's great. It's also great for climbing to the top of a skyscraper to hijack a billboard. These guys proved that. More [HERE]

Labels: , , , , ,

Tuesday, October 7, 2014

Jerry Seinfeld Delivers Hilarious Anti-Advertising Award Speech

This might not be earnest, or maybe it was. In the end who cares, cause the advice is sound.

Labels: , ,

Thursday, October 2, 2014

Madrid's Public Transit, Brought to You by Megacorporations

VIA: The Atlantic City Lab
For rent: one subway system. That seems to be the approach of Madrid Metro, which is taking public transit advertising to unprecedented levels. Until the end of October, users of Madrid Metro’s map app (downloaded 1.2 million times so far) will find their plan peppered with the logo of a supermarket chain. Thanks to a deal with French retail giant Carrefour—continental Europe’s answer to Walmart—logos of the megachain will appear wherever there’s one near a Metro station. The idea is to channel passengers in need of groceries straight off of trains and into nearby markets. There are over 100 stores on the map, making Madrid’s Metro map app look like it’s broken out with a serious case of Carrefour acne. More [HERE]

Labels: , , , , ,

Sunday, September 28, 2014

Consumerism, Values, and What Really Matters: An Interview with Tim Kasser

Sometimes PublicAdCampaign can feel like an ongoing artist v advertiser grudge match whose only goal is to cause enough havoc on the streets to allow us all to sleep a little better at night. The truth is that our goal is to address advertisings use of public space because the repetitive consumption of commercial messages is doing serious harm to each one of us and by default the collective as well. Advertising, being the predominant media through which we ingest culture and our world view, is responsible in large part for the ways in which we prioritize our lives, set up our long terms goals, and live those lives right through to the end. Research suggests that the priorities advertising is instilling are hurting our minds and planet, so lets address the problem in order to alleviate some pretty heavy burdens as we prepare to address even larger issues like how we keep this planet breathing through 2050. 
New Dream talked with Tim Kasser, a recent addition to our Board of Directors, about his research on consumerism and people’s values, and how he tries to resist consumer pressures in his own life and family. Kasser is professor and chair of Psychology at Knox College in Illinois and the author of numerous books and articles on materialism, values, and goals.

How did you come to study issues of consumerism and values? Was there a defining moment that inspired you to investigate this topic so deeply for so many years?

When I was working on my Ph.D. in psychology in the early 1990s, I became interested in how people construct their lives. That led me to study people’s goals and what they were aspiring to create out of their lives. One day, I was running some statistics and getting ready to examine how personal well-being relates to prioritizing goals for money and possessions relative to other kinds of goals. I remember sitting in front of the computer thinking, “Wouldn’t it be interesting if people who cared more about goals for money and possessions were less happy?” More [HERE]

Labels: , ,

Saturday, September 27, 2014

BR1 - I Love God

A quick fix by BR1 turns this "I love Dior" campaign into an "I love God" campaign. Simple effective and a much better deity to give praise, even if I don't believe he/she exists.

Labels: , , ,

Friday, September 26, 2014

Vimeo Train Wrap Thinks You Are Stupid

This Vimeo train wrap on the L-line goes all out and includes a full inner wrap as well. Not only are all the ads inside the car for Vimeo, but the seats are covered in a candy color vinyl that turns "showtime" acts into a surreal NY experience. Despite the overbearing weight of Vimeo's cry for attention, they are still smug enough to suggest that NY'ers don't like ads and therefore will love that Vimeo doesnt include them in videos, only on our trains. 

Labels: , ,

Friday, September 19, 2014

Mobstr Competes For Your Attention

Like the ads before, these Mobstr pieces compete for your attention and hopefully make you acutely aware of what advertising is all about. More [HERE]

Labels: , , , , ,

Thursday, September 18, 2014

New BR1 In Torino Italy

Beautiful new BR1 in Torino Italy. I love how the ad behind was simply ripped down to make a fresh surface. Check out more of his work [HERE]

Labels: , , , , ,

Tuesday, September 16, 2014

Prada Marfa Saved from Possible Closure as Illegal Advertisement

Glad to hear this gem was not removed for such dubious reasons as "illegal outdoor advertising".

VIA: Hyperallergic

“Prada Marfa” by Elmgreen and Dragset (photo by Marshall Astor/Wikimedia)
The Texas Department of Transportation has withdrawn its charge of illegal advertising against Prada Marfa, arts organization Ballroom Marfa announced in a public statement. A popular roadside attraction in the remote West Texas town of Marfa, the simulated Prada storefront — commissioned by Ballroom Marfa and installed in 2005 by the British artists Elmgreen & Dragset — was threatened by the state of Texas under illegal advertising statutes in September 2013. Link [HERE]

Labels: , , ,

Thursday, September 11, 2014

The NO AD Mobile App is Finally Here

For the past several years I have been working with BC Biermann on Augmented Reality projects under the title Re+Public. Today, in collaboration with Jowy Romano of The Subway Art Blog, we launch NO AD. This mobile app brings together years of illegal street art antics and my fascination with AR's ability to completely alter our relationship to public space. Below is the gist of the press release we sent out, but I wanted to discuss some of my personal thoughts on the project here as well. If you aren't familiar with NO AD, you might watch this VIDEO before reading this post.

NO AD is complicated. It is born out of an interest in getting rid of advertising and replacing that visual content with something better, be it art or whatever else a city might come up with to adorn its own walls. It also shares a history with ad takeover street art work that physically replaces ads with art, initiatives like the artiviser, and Add Art. And yet in practice, NO AD really makes you look at the ads as you try to determine which ones you have already triggered in your pursuit of the new art content strewn across the subway system. It's a little technical issue that should be addressed.

In fact all ad takeover work seems to have this same issue lurking in its shadows. When we do work in bus shelters and take on that medium, we attract attention to those same shelters we did not takeover as the public pursues our street work around the city. It's inevitable that we bring unwanted attention to ads in the process. One hopes that despite the increased consumption of advertising caused by our anti advertising activities, a language of dissent is being established that did not exist before. Maybe you ingested a few more ads, but at least you can envision the alternative.

So on the one hand, I hope NO AD serves as an example of what could be as a lot of anti advertising work does. In the same way AR is being used to show you what that coffee table will look like in your living room, or how that eyeshadow color will jive with your complexion, NO AD shows us what our transit system might look like if we had a choice.

While NO AD currently suffers from your need to actually engage ads to use it, wearables will make this issue moot. If I was wearing a heads up display and running NO AD, it would be a functional ad-blocker for public space. This is something I am very interested in and yet something that makes people very uncomfortable. As artists try to alter public space for the better, we make physical changes that effect everyone. Sometimes that effect is a point of contention, but in general the process is a public dialogue between what works and what doesn't for the larger population. A wearable NO AD app side steps this entire drama and puts everyone in control of thier own public space in an oddly disengaging and separating way. No longer are public space issues publicly negotiated, they are just augmented away.

An augmented world is a scary proposition but not one that we can deny is right around the corner. I think NO AD embraces this issue early on and I hope it is a discussion point. What do we allow an augmented public space to look like as a public? What would it mean for us socially if we allowed an app to augment out the homeless? Its a relevant question that the future is going to throw at us so we should probably start thinking about our answers now.

Given all of the issues surrounding NO AD's effectiveness as a true ad blocker, and its ushering in a future public space doomed to separate us all, as a way to bring art to New York it works pretty damn well. I hope NO AD is able to fulfill my goal of being updated with very different content every month, curated by individuals, institutions and other wacky organizations. A lot of New Yorkers do not take advantage of the immense arts resources NY has to offer, myself included. We also spend a huge amount of time commuting through our underground rivers. If this app can use the ad infrastructure to bring massive amounts of constantly changing, 2D, 3D, film, music, and other media, I think it fulfills its role as being a useful tool. The other dark waters it stirs are what makes it art. Enjoy!

VIMEO LINK: https://vimeo.com/105301636


New York City has one of the largest and most robust transit networks in the world with a subway system spanning 468 stations throughout the five boroughs. On average, there are over 4 million daily rides, making the subway system by far the most used form of transit in New York City. Littered throughout almost every station is a repetition of movie, television, product, and alcohol ads, which take advantage of NY’s immense captive transit audience and turn our daily commute into one long commercial for the latest products and commercial messages. For a city that prides itself on being a leading cultural center, and despite the valiant efforts of our MTA arts programming, New York City subways seem to lack a cultural richness befitting this great metropolis.

NO AD, created by Re+Public (PublicAdCampaign + The Heavy Projects) in collaboration with Jowy Romano of Subway Art Blog, aims to remedy this imbalance by using the preexisting advertising infrastructure as a new digital exhibition space. Users are encouraged to download the free iOS or Android app to their smart devices. Once the app is running, simply pointing your device at any of the 100 most widely circulating subway platform advertisements will cause the device to overlay curated digital art content, creating an augmented experience that blocks unwanted advertising. (See below for the specific subway platform advertising format NO AD works on)

Because the advertising is constantly changing in the subways, so too will the content users see through the app. Each week NO AD will auto update, replacing the new advertisements with original content. In an effort to keep the user experience fresh, we will collaborate with prominent cultural institutions to drastically alter the nature of the content offered, from street art, to photography, to music, poetry, and moving images, you can expect the NO AD app to continually provide new content.

We intend NO AD to bring a rich variety of cultural content to users and integrate itself into your daily commute. It is, however, not by chance that we do this using the preexisting advertising infrastructure. Overexposure to commercial has been linked to our behavior and psyche, with studies from the PIRC suggesting “…that advertising may be encouraging society to save less, borrow more, work harder and consume greater quantities of material goods.” This behavior, in turn, puts an unnecessary burden on our environment and ourselves as we forgo personal experiences for material obsession. We see NO AD as a precursor to a viable physical ad blocking software that, used in conjunction with soon to be available heads up display technologies, will drastically alter our relationship to visual imagery in our shared public spaces.


Test NO AD by clicking on the links above to install and then testing on the image below. 


A huge thanks to the artists that provided the amazing content for the first month of this app: Adam Amengual – Amy Arbus-Beau Stanton – Caroline Caldwell – Dadi Dreucol – Dal East – Dan Bergeron – Daniel Jefferson – Dr. D - Elizabeth Winnel – Elle – El Tono – Faith 47 – Hugh Lippe – Ian Strange – Icy and Sot – Influenza – Jay Shells – Jeff Stark – Jilly Ballistic – John Fekner – Jon Burgerman – Jordan Seiler – Know Hope – Leon Reid IV – LNY – Logan Hicks – Luna Park – Mario Brotha – Michael Alan – Michael De Feo – Mobstr – Neko – Noxer – Nuria Mora – OX – Pedro Sega – Peter Fuss – Poster Boy – Remi Rough – Ron English – Rone – Saber – Sean Martindale – Sheryo – Skullphone – Stikman – Stormie Mills – Tara McPherson – Tod Seelie – Trap – Vermibus – WK Interact – Work Hard Be Nice

Labels: , , , , ,

Monday, September 8, 2014

In Cities Across Texas, Activists Battle Billboard Companies

VIA: NPR
The Highway Beautification Act will be 50 years old next year. As envisioned by Lyndon and Lady Bird Johnson, it was supposed to protect the natural landscape from billboards.

Ever since its passage, scenic activists and billboard companies have been at war over the views along American highways. The outdoor advertising industry says its signs are informational, and helpful to local businesses. Open-space advocates call them "sky trash" and "litter on a stick."

The battle continues today. You can see it on the roads of Texas, where more than 350 towns and cities have banned new billboards — but billboard companies continue to push for taller and more technologically advanced signs. More [HERE]

Labels: ,

Friday, September 5, 2014

STREET ARTISTS HIJACKING BUS SHELTERS WITH IMPUNITY

VIA: Animal NY
Street artists deploy a variety of methods to get their work seen by the masses. One of these time-honored NYC traditions involves cracking open advertisement kiosks and swapping out the ads with custom art. It’s what put Kaws on the map in the late 1990s and a practice that has been used sporadically since, although lately, it’s happening with increasing frequency. And there’s a very specific reason why. More [HERE]

Labels: , , , ,

Thursday, September 4, 2014

NOTNN - "AD RIPS"

Wish I would have found myself riding this car. 

Labels: , , , ,

Tuesday, September 2, 2014

How Rude: New Work By Mobstr

New work by Mobstr tells us what we already know, but just can't help. 

Labels: , , ,

Tuesday, August 19, 2014

All Across America, Artists Are Taking Over Billboards

VIA: The NY Times Magazine
“Visual pollution. Sky trash. Litter on a stick. The junk mail of the American highway.” That’s how billboards are described on the website of Scenic America, a group devoted to “preserving and enhancing the visual character” of the country. But while preservationists deride the billboard, artists have long been intrigued by it for its role in American highway culture. (Besides, what artist wouldn’t want a 300-square-foot canvas with a guaranteed audience?)More [HERE]

Labels: , , , ,

      Naomi Klein
      No Logo


      Kalle Lasn
      Culture Jam


      Stuart Ewen
      Captains of Consciousness


      Stuart Ewen
      All Consuming Images


      Stuart & Elizabeth Ewen
      Channels of Desire


      Jeff Ferrell
      Crimes of Style


      Jeff Ferrell
      Tearing Down the Streets


      John Berger
      Ways of Seeing


      Joe Austin
      Taking the Train


      Rosalyn Deutsche
      Evictions art + spatial politics


      Jane Jacobs
      Death+Life of American Cities