This blog is a resource for ad takeover artists and information about contemporary advertising issues in public space. If you have content you would like to share, please send us an email.
Eduardo Moises Penalver & Sonia Kaytal Property Outlaws: How Squatters, Pirates, and Protesters Improve the Law of Ownership
Barbara Ehrenreich Dancing in the Streets: A History of Collective Joy
Lewis Hyde The Gift, Creativity and the Artist in the Modern World
Geoffrey Miller Spent: Sex, Evolution, & Consumer Behavior
Tuesday, April 10, 2012
Creative or Waste of Money? Who Cares Its a Brilliant Plot Point
Hyper Vocal asks the benign question of whether or not this billboard stunt by McDonalds is cost effective. I could care less. What it makes me think of is a dystopian society of daytime and nighttime dwelling societies living entirely different socioeconomic lives. Those damned to the night slaving away to keep the daytime world running to the highest standards. The privileged day dwellers walking streets devoid of advertising, while the night dwellers wake to a world of glowing commercial messages tearing at their subconscious and keeping them in a constant cycle of desire without fulfillment. Mmmmmm that's good fiction.
If you’re driving down this Vancouver highway during the day, it will appear as if the billboard you’re passing is available for rent. It’s white. There’s nothing on it. More [HERE]
Business in Vancouver-Graffiti: Art to some, vandalism to others
After the last big takeover project in Toronto we answered a few requests for information. One of these requests came from Business in Vancouver, a small weekly newspaper serving the greater Vancouver area. I'm always curious how anti-ad actions are contemplated by the industry and can't pass up the opportunity to potentially peek behind the curtain. I have found outdoor advertising companies to be quite opaque, as is evidenced by Pattison Outdoor's unwillingness to comment for this article. That said I spoke with Curt who authored this article. While there isn't a whole lot here for the regular PublicAdCampaign reader, it is interesting to note that these "vandalisms" or, acts of civil disobedience as I would like to call them, are becoming more prevalent. The industry sees these not as isolated events but part of a larger backlash. While it is good that our voices are being heard, it is important to note that acts of transgression are often integrated very suitably into the mainstream media structure and we must remain potent. View the whole article [HERE]
If you read this blog regularly, you are probably familiar with the fantastic V-tarp project being run by Jerm-IX and Vegas in Vancouver. Recently they were contacted by the manager of customer services and marketing at Translink with a request to stop posting artwork on the Vancouver transit system. This has resulted in what I believe to be an incredible opportunity to engage a municipality in an open discussion about the appropriateness of unauthorized public communications. Below I have relayed the contact letter as well as a link to the responses which Jerm-IX is asking the community to make as public analysis. As well I have relayed my personal response which I have written without edit and from the heart. Please excuse the lack of grammar, sentence structure, and syntax, as I feel the emotive quality of my response demands an immediate post without edit.
Translink Letter:
Dear jerm IX and Vegas,
My name is ------- ---------, and I am the Manager of Customer Services and Marketing at TransLink. And as you may have already guessed, I’m writing to you in regards to the Vancouver Transit Ad Reclamation Project (V-TARP), your project to install artworks in the spaces used for advertising on our transit system.
To be sure, discussions about public space, its intersections with private interests, and its obligations to serve the community are very important. It’s something we think about at TransLink every day, as much of our work in planning and operating our transit system brings these issues of public space to the forefront.
However, we at TransLink have a limited budget with which to serve the people of this region. As residents balk at supporting transit through higher taxes, fares, or other fees, advertising from private companies provides an additional source of revenue that helps support our system.
So while the issues you raise in V-TARP are important, your project is sadly affecting a key funding source to make its point. By taking over our ad space and posting works that criticize our ads, V-TARP is creating a negative impact on TransLink’s relationship with advertisers, which is starting to cost our system in revenue. As such, we would like to ask if you could bring V-TARP to a close and refrain from posting further works on our advertising spaces.
Thus far, our transit advertising agency LAMAR has spent over $3,000 in labour charges to remove the V-TARP pieces. As well, a number of our larger advertisers have called LAMAR with concerns about the V-TARP projects. If the advertising environment becomes inhospitable, these accounts may cancel their contracts with us. Finally, if there are ad campaigns have been booked with LAMAR but are then cancelled before completion, TransLink is on the hook for the costs of that campaign. In the past, pulled campaigns have cost us $10,000-$20,000 in fees.
We do recognize the value of art to our system and our community, however, and if there is a way to work together in a way that does not impact our revenue sources, we would be happy to do it. For example, we are trying to expand our Poetry in Transit campaign beyond its current scope, into an Art on Transit program. We would love to work with you and other artists to build something that supports and enhances the public spaces that we all value.
Contact me if you would like to discuss the above opportunity further.
please excuse my lack of grammar and sentence structure as i am writing this quickly and from a deeply emotional place. what you are doing is incredibly important and i cannot stress enough how emotionally i fell about this recent predicament.
this is a fantastic turn of events. like you said in one of the comments on your flikr page in regards to your posting of the translink letter, this is about dialogue and clearly there is one being developed. I think you should decide how you are willing to cooperate. one of the things i think is really important about V-tarp/NYSAT type projects is that they do not ask for permission. Interacting with public space should not require the approval of a larger institution. your mere presence as public citizen should allow you access to that space. These days im coming close to believing in the total decriminalization of all visual interactions in public space despite their performance on what we might consider private property. as far as im concerned, anything that is viewable, reachable from a public sidewalk, or other form of public space is itself public property. your use without permission of the translink system works along those lines and if they were to integrate your work, artists into the art for transit system, it is an admission that public space use is discretionary, something i believe is very problematic.
as for their kind, but slightly threatening tone, due to their mention of the damages associated with your work, im not exactly sure what to say. I think it is important to stress the fact that you have not removed any advertisements and therefore have not caused any damage. the translink/lamar employees sent out to remove your work are doing so in haste as they could easily remove them on their regular rounds at no cost. or for that matter they might leave the works up as your work has two positive affects for the vancouver transit system. the first positive is that the residents of vancouver are now subjected to a critical discussion about advertising and public space usage, free of charge. this inherently adds to the vibrancy of public dialogue and therefore the city as a whole. you are creating cultural capitol for the city for free. two the advertisers, once operating in a somewhat dull outdoor media space, commonly ignored by the public, are now presented with a potentially more engaged audience. There are more eyes are on this ad venue because of your work and therefore your work results in positive public attention to their ad campaigns. alas, much of the v-tarp work is critical of advertising methods and intentions but i believe this is not a valid argument for your removal. a public space interested in free speech and therefor healthy political dialogue should embrace criticism and the advertisers should be forced to respond accordingly, not the other way around. if they are threatened by you saying their ads are a lie, well its probably because they are. if the ads were not manipulative and relied more on information than the manipulation of public desire, they would probably not feel as threatened.
I would hope that you might strike a positive mediation between your work and the typical commercial ads that happen in the vancouver transit system. There is a middle ground upon which your public dissension can operate alongside a healthy advertising community. if this is not the case, then there is something inherently wrong with advertising messages in that they cannot operate alongside critical analysis. and isnt this the test of properly operating public space? As street artists, graffiti artists etc, we are constantly put on the defensive to protect our methodology. why should advertising not be put on the same pedestal and asked to validate its existence alongside critical thought. i would argue for the existence of illegal street art and public communications for multiple reasons. let the advertisers argue their rightful place amongst your critique and if they find they cannot coexist then there is something inherently wrong with their medium.
please note that I am in full support of your project and would like to extend my help in any way possible. I think what you are doing is incredibly important and the recent contact made by the Translink system has raised the potential of what you are doing tenfold. your response to their interest in shutting you down might define this project and its goals more than the continuation of artistic postings. I wish you the best, and again send my full support in whatever way that might unfold.
In case you didn't see our first post on this, Jerm IX in Vancouver is currently accepting submissions for a project he calls V-tarp. If you send him work at a standard size, he will post it in the Vancouver transit system and you get to be a part of a huge public reclamation project. Send all inquiries to vantarp@gmail.com or check the website, most importantly, get your work to Vancouver.
"The Vancouver Transit Adspace Re-appropriation Project, or V-TARP, intends to reclaim the highly sought after mindspace used by corporations to communicate with the public, by collecting artworks from across the globe and installing them in the transit adspace."
We were just made aware of what sounds like a fantastic project run by Jerm IX and Vegas in Vancouver. It's a pretty simple idea, you send them artwork (standard formats) and a team of participants will put up your work in the Vancouver transit system. V-TARP, which stands for Vancouver Transit Ad Re-appropriation Project, "is intended to reclaim that highly sought after mindspace used by corporations to communicate with the public."
Participants are encouraged to send work in the next month to kick start the project with bang, but submissions will be taken indefinitely. I am told works should be 283mm high and any width from 200mm-800mm and should be submitted on 80lb. card stock. A photo document of your installed piece will be posted to a VTARP Flikr page, and once the project is rolling a blog page dedicated to the updates and progress will be rolled out. Any other questions you might have can be answered by a V-TARP participant at this email address. VanTARP@gmail.com.
We are always excited about a large scale work like this. We know it takes an immense coordinating effort and a good deal of risk taking for those carrying out the action. The upside is you can create a much bigger dialogue about who has the right to use public space in this way. While the actions of one person might be seen as that of a vigilante, the actions of many become a protest. because of this I think large scale projects like V-TARP encourage a conversation around the issue of commercial/public use of our shared environment. Questions about how using public space for commercial messaging might affect the public's use of that space become something to talk about, and that can only bring good as far as I am concerned.
We will definitely be sending work to Vancouver and suggest you do the same. They have told me they can handle a large number of submissions and that the project is open to everyone. If you do decide to send something, feel free to give us sneak peaks of your works and tell us when they have gone up in Vancouver.
The Vancouver Public Space Network is yet another example of the many progressive Canadian public space activist projects going strong these days. A PublicAdCampaign reader brought VPSN to my attention and that their new magazine PubliCity was published with a map of all the non-compliant billboards in Vancouver. The manifesto is interesting to me in that they combine all sorts of public space activism with a strong influence on outdoor advertising creep.
The VPSN is a grassroots collective that engages in advocacy, outreach and education on public space issues in and around Vancouver, British Columbia. This includes challenging the increase of advertising ‘creep’ in public places, promoting creative, community-friendly urban design, monitoring private security activities in the downtown core, fostering public dialogue and democratic debate, and devising creative ways to re-green the neglected corners, alleys and forgotten spaces of the city.
We also like to devise ways to have fun in public space. The Vancouver Public Space Network (VPSN) was formed in early 2006. Since that time our numbers have grown from a dozen initial participants to over 1500 members. The Network continues to expand: a testament to the large number of individuals who value public space and view it as an essential feature of a vibrant, inclusive city.
Members are drawn together by both a shared concern for various issues facing public spaces and public realm amenities in Vancouver, as well as a desire to celebrate the role that public space in shaping the city.
As part of a national campaign promoting McDonald's restaurants, a downtown Vancouver lamppost became part of an out-of-home optical illusion, appearing to pour coffee into a giant cup on the sidewalk. At the time, McDonald's was giving away free small cups of its brew for a two-week period, in an effort to attract new breakfast customers. They developed the concept for a lamppost near 6th Avenue and Cambie Street. The post was wrapped in brown vinyl to resemble poured coffee, while an oversized carafe was attached to the end.
